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Our Daily Correspondent The doll of dolls: Alma Mahler, or someone near enough? When people know that one has a certain interest—say, dolls—they will very kindly send one stories that they think correspond to the subject.

Dolls are unfairly maligned as sinister, or as inherently sexual, and while there are certainly a few bad apples—and the fetishistic qualities of any human totem are part of their fascination—I think they get a bad rap. The case of the famed Alma Mahler doll, however, is a special one. While it was sort of a sex doll and sort of a mannequin—and as such, not really my area of study—it also had an unimpeachable toy pedigree: Much of the correspondence still survives.

Yesterday I sent a life-size drawing of my beloved and I ask you to copy this most carefully and to transform it into reality. Pay special attention to the dimensions of the head and neck, to the ribcage, the rump and the limbs.

And take to heart the contours of body, e. Please permit my sense of touch to take pleasure in those places where layers of fat or muscle suddenly give way to a sinewy covering of skin. For the first layer inside please use fine, curly horsehair; you must buy an old sofa or something similar; have the horsehair disinfected. Then, over that, a layer of pouches stuffed with down, cottonwool for the seat and breasts.

The point of all this for me is an experience which I must be able to embrace! And, I am very curious to see how the stuffing works. On my drawing I have broadly indicated the flat areas, the incipient hollows and wrinkles that are important to me, will the skin—I am really extremely impatient to find out what that will be like and how its texture will vary according to the nature of the part of the body it belongs to—make the whole thing richer, tenderer, more human?

The resulting doll is, to say the least, creepy: As he wrote to Moos, The outer shell is a polar-bear pelt, suitable for a shaggy imitation bedside rug rather than the soft and pliable skin of a woman. Nevertheless, he tried to make the best of it, posing the doll around his studio and doing more than eighty drawings and paintings of her in different positions and garb, as well as a series of photographs. Although his obsession was clearly sincere, he was also aware of the theatricality of his eccentricity, and played it up.

And when he had tired of her, he saw her out in true Expressionist style. Finally, after I had drawn it and painted it over and over again, I decided to do away with it. It had managed to cure me completely of my Passion. So I gave a big champagne Party with chamber music, during which my maid Hulda exhibited the doll in all its beautiful clothes for the last time. When dawn broke—I was quite drunk, as was everyone else—I beheaded it out in the garden and broke a bottle of red wine over its head.

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Our Daily Correspondent The doll of dolls: Alma Mahler, or someone near enough? When people know that one has a certain interest—say, dolls—they will very kindly send one stories that they think correspond to the subject. Dolls are unfairly maligned as sinister, or as inherently sexual, and while there are certainly a few bad apples—and the fetishistic qualities of any human totem are part of their fascination—I think they get a bad rap.

The case of the famed Alma Mahler doll, however, is a special one. While it was sort of a sex doll and sort of a mannequin—and as such, not really my area of study—it also had an unimpeachable toy pedigree: Much of the correspondence still survives. Yesterday I sent a life-size drawing of my beloved and I ask you to copy this most carefully and to transform it into reality.

Pay special attention to the dimensions of the head and neck, to the ribcage, the rump and the limbs. And take to heart the contours of body, e. Please permit my sense of touch to take pleasure in those places where layers of fat or muscle suddenly give way to a sinewy covering of skin.

For the first layer inside please use fine, curly horsehair; you must buy an old sofa or something similar; have the horsehair disinfected.

Then, over that, a layer of pouches stuffed with down, cottonwool for the seat and breasts. The point of all this for me is an experience which I must be able to embrace! And, I am very curious to see how the stuffing works. On my drawing I have broadly indicated the flat areas, the incipient hollows and wrinkles that are important to me, will the skin—I am really extremely impatient to find out what that will be like and how its texture will vary according to the nature of the part of the body it belongs to—make the whole thing richer, tenderer, more human?

The resulting doll is, to say the least, creepy: As he wrote to Moos, The outer shell is a polar-bear pelt, suitable for a shaggy imitation bedside rug rather than the soft and pliable skin of a woman.

Nevertheless, he tried to make the best of it, posing the doll around his studio and doing more than eighty drawings and paintings of her in different positions and garb, as well as a series of photographs. Although his obsession was clearly sincere, he was also aware of the theatricality of his eccentricity, and played it up.

And when he had tired of her, he saw her out in true Expressionist style. Finally, after I had drawn it and painted it over and over again, I decided to do away with it. It had managed to cure me completely of my Passion. So I gave a big champagne Party with chamber music, during which my maid Hulda exhibited the doll in all its beautiful clothes for the last time.

When dawn broke—I was quite drunk, as was everyone else—I beheaded it out in the garden and broke a bottle of red wine over its head.

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3 Comments

  1. Alma Mahler, or someone near enough? So I gave a big champagne Party with chamber music, during which my maid Hulda exhibited the doll in all its beautiful clothes for the last time.

  2. Pay special attention to the dimensions of the head and neck, to the ribcage, the rump and the limbs. Although his obsession was clearly sincere, he was also aware of the theatricality of his eccentricity, and played it up. While it was sort of a sex doll and sort of a mannequin—and as such, not really my area of study—it also had an unimpeachable toy pedigree:

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